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Reason » 20.01.2009 » by gearup
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.. 4.4 / 10 .. (23 votes)
In this tutorial, we will look at how to go about recreating this track in Reason 4, and also what helped make it such a successful song.
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Reason » 26.11.2008 » by bybye
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.. 3.6 / 10 .. (19 votes)
Whether you are pretty new to these packages or you just want to get away from using library loops, using these tools to create your own mangles loops can be a great way to inject some originality into your composition...
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Reason » 17.11.2008 » by bybye
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.. 4.8 / 10 .. (18 votes)
In this tutorial, you’ll learn how to create a cool ’stutter’ transition effect inside Reason 4 using two combinators. The effect is relatively easy to pull off and makes for an interesting transition to work into your songs.
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Reason » 12.11.2008 » by bybye
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.. 3.8 / 10 .. (15 votes)
Reason’s virtual synthesizers have a really great sound, but to get the most out of them, you will often need to use more than one. For total integration and fast recall of multi-instrument set ups there's no better tool than the Combinator.
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Reason » 11.11.2008 » by bybye
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.. 4.5 / 10 .. (27 votes)
In this tutorial I will show you what you need in order to begin sampling, and some of the techniques the professionals use. Lastly, I will walk you through the creation of a famous Billboard Hot 100 song. We'll be using Reason and ReCycle for this one, but the principles could be adapted to any DAW
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Reason » 10.11.2008 » by bybye
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.. 4.1 / 10 .. (15 votes)
In this tutorial I will show you how to create a slap-back BPM locked delay using 2 DDL-1 effect boxes. This effect can be used on anything. This tutorial uses Reason, but the principles should be the same in any DAW.
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Reason » 09.11.2008 » by bybye
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.. 5.1 / 10 .. (21 votes)
Reason is used by musicians across many genres; not just electronica artists, but rockers, folk artists and pop bands, too...
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Reason » 09.11.2008 » by bybye
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.. 4.7 / 10 .. (18 votes)
Side-chaining and ducking is certainly a popular topic amongst today's production fraternity. Mainly used to create pumping effects in electronic music, the process still remains a mystery to a lot of people. Things can become especially confusing when a program has its own tools for the job.
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